Showing posts with label Painting Process. Show all posts
Showing posts with label Painting Process. Show all posts

We Start INKING in Adobe Illustrator Process Video #4

We Start INKING in Adobe Illustrator Process Video #4

Illustrator Process Video #3 - Freehand Brushes for Cartoon Style Inking

    Video #3 - Freehand BRUSH Tool
    SpongeBob Illustrator inking tutorial on Brushes
    Click on image - video will open in new window
    (There's also a smaller version at the bottom of the post in case you have trouble watching the large video)


    Okay -- here's where it starts getting fun!
    We're going to be covering the freehand brush tool in today's Adobe Illustrator Inking Tutorial video
    SpongeBob Illustrator inking tutorial calligraphic Brush strokes
    Adobe Illustrator inking tutorial custom Brushes palette

    The freehand brush seems to be one of the least-known features in Adobe Illustrator. Most people associate Illustrator with very clean and technical lines -- and not the hand-drawn look that traditional cartoons and comic books use. It turns out, though, that Adobe Illustrator is a fantastic tool for doing comic book inking and cartooning cleanups still have that spontaneous & freehand look.
    SpongeBob Illustrator inking tutorial calligraphic Brush strokes

    I want to make sure to point out that you'll need some sort of pressure-sensitive drawing tablet to get all the calligraphic effects that I'm going to be showing in this video. The most common drawing tablets are made by Wacom, and they range in price from under $99 for the Bamboo Fun to "an arm and a leg" for the Cintiq. All of these brush effects can be done with even the simplest and the smallest drawing tablet (as long as it supports pressure sensitivity).
    Adobe Illustrator inking tutorial Brushes angle settings

    A lot of people complain that the hand-drawn lines that they try to draw with the freehand brush tool become distorted as soon as the line has finished being drawn. That problem will be corrected if you copy the brush settings that I use in this video. Of course, I also encourage everybody to play with those settings and customize to them to your own specific needs.
    Adobe Illustrator inking tutorial Brushes diameter settings
    Adobe Illustrator inking tutorial Brushes line variation

    Today's video will show you how to find and use the custom brushes that I included in the downloadable template, and it also shows you exactly how to customize and create your own custom freehand brushes. Once all that information has been covered, will be ready for tomorrow's video -- when I actually start INKING the darn thing! So be sure to come back for the next episode, too!
    Here's a smaller version of today's video if you're having trouble viewing the larger version:



    If you want to keep up with all the videos, here's where to find the first two lessons:
    Source URL: https://aminefairy.blogspot.com/search/label/Painting%20Process
    Visit Anime Fairy Blog for Daily Updated Hairstyles Collection

Illustrator Process Video #3 - Freehand Brushes for Cartoon Style Inking

    Video #3 - Freehand BRUSH Tool
    SpongeBob Illustrator inking tutorial on Brushes
    Click on image - video will open in new window
    (There's also a smaller version at the bottom of the post in case you have trouble watching the large video)


    Okay -- here's where it starts getting fun!
    We're going to be covering the freehand brush tool in today's Adobe Illustrator Inking Tutorial video
    SpongeBob Illustrator inking tutorial calligraphic Brush strokes
    Adobe Illustrator inking tutorial custom Brushes palette

    The freehand brush seems to be one of the least-known features in Adobe Illustrator. Most people associate Illustrator with very clean and technical lines -- and not the hand-drawn look that traditional cartoons and comic books use. It turns out, though, that Adobe Illustrator is a fantastic tool for doing comic book inking and cartooning cleanups still have that spontaneous & freehand look.
    SpongeBob Illustrator inking tutorial calligraphic Brush strokes

    I want to make sure to point out that you'll need some sort of pressure-sensitive drawing tablet to get all the calligraphic effects that I'm going to be showing in this video. The most common drawing tablets are made by Wacom, and they range in price from under $99 for the Bamboo Fun to "an arm and a leg" for the Cintiq. All of these brush effects can be done with even the simplest and the smallest drawing tablet (as long as it supports pressure sensitivity).
    Adobe Illustrator inking tutorial Brushes angle settings

    A lot of people complain that the hand-drawn lines that they try to draw with the freehand brush tool become distorted as soon as the line has finished being drawn. That problem will be corrected if you copy the brush settings that I use in this video. Of course, I also encourage everybody to play with those settings and customize to them to your own specific needs.
    Adobe Illustrator inking tutorial Brushes diameter settings
    Adobe Illustrator inking tutorial Brushes line variation

    Today's video will show you how to find and use the custom brushes that I included in the downloadable template, and it also shows you exactly how to customize and create your own custom freehand brushes. Once all that information has been covered, will be ready for tomorrow's video -- when I actually start INKING the darn thing! So be sure to come back for the next episode, too!
    Here's a smaller version of today's video if you're having trouble viewing the larger version:



    If you want to keep up with all the videos, here's where to find the first two lessons:
    Source URL: https://aminefairy.blogspot.com/search/label/Painting%20Process
    Visit Anime Fairy Blog for Daily Updated Hairstyles Collection

Making of a SpongeBob Cover Part 2 -- Step-by-Step from Sketch to Print

    SpongeBob Nick Mag Bubble cover published 800

    The whole Nick Mag cover process
    (just like everything else in life)
    starts with an idea.

    For this SpongeBob cover, the idea was pretty loose -- just some gag featuring SpongeBob and Patrick blowing bubblegum bubbles.

    So, how do I come up with a gag when I have just the beginning of an idea? I just start sketching. Even if I don't have a clue where I'm going, I know that if I put the pencil on the paper, something's going to come out. Even if the first few ideas are totally crappy, that pile of rejects will start to point me in the right direction.


    Drawing a cover gag is sort of like drawing a single-panel gag cartoon with handcuffs on.

    You can't use a caption or dialogue, and you have to fit everything within the magazine's template, leaving room for logos and headlines.
    SBgum08
    So even if you have a good idea, it still may not work ...unless you can make it read from a distance.



    Those magazine racks are pretty crowded, and if the drawing is too complicated, it just turns into mush.

    SpongeBob_Patrick_trapped_Bubble_Gum_sketch
    I liked this idea of SpongeBob, trapping Patrick inside of a bubblegum bubble,
    but the size relationships were too far off to make this work.


    I thought something with Gary might be nice

    -- there are a lot of Gary the snail fans -

    - but the Gary bubble wasn't looking like gum anymore.
    SpongeBob_Gary_Bubble_rough

    SpongeBob_Jellyfish_Patrick_Bubble_Gum_ideas_small

    I've done a lot of drawings were SpongeBob is blowing soap bubbles, and I didn't want this drawing to look too much like one of those. That's the same reason, I tossed out the ideas where SpongeBob is blowing a square bubble or a Patrick-shaped bubble.

    SpongeBob_Patrick_Bubble_Gum_ideas_smaill

    SpongeBob_Cover_Bubble_Gum_Rough_out SpongeBob_NickMag_Bubble_Gum_Rough_no

    I came up with the final idea by using a technique that has helped me many times in the past -- if I start to think vertically, a fresh idea will frequently pop up. By "vertically," I mean, getting the characters off of the same level. I tend to start out any scene by having all the characters standing on the same piece of ground, but this default position often leads to boring compositions.

    On the SpongeBob TV show, we sometimes got a lot of humor out of having one of the characters enter a scene sideways or downward from above.

    By moving the characters around vertically, I was also able to take a damage of the vertical aspect ratio of the cover itself.
    SpongeBob_NickMag_Bubble_Gum_Rough_comp
    SpongeBob_Patrick_Bubble_Gum_Pencils

    Even though
    I only liked
    one of the ideas,
    I submitted four different sketches.

    I was really hoping that they'd pick the one that I liked... and fortunately,
    they did.


    Sometimes I get a lot of notes suggesting changes or tweaks, but this one just sailed through. I think it's because the idea was so simple. I'm a big fan of simple.

    After the approval, I went straight in to pencil cleanup. This kind of "no background" medium shot is a freelancer's dream come true. All I had to do was clean up a couple of characters that I've already drawn about 10,000 times.


    I had to shift things around a little bit to account for things like the barcode placement and the address stamp that they use on subscription copies.

    That's where Photoshop layers come in handy.


    SpongeBob Nick Mag Bubble cover rough pencil

    All of my pencil drawings are drawn by hand, but manipulated in Photoshop.

    The next phase is where the excitement really begins... inking in Adobe Illustrator. I have full-motion screen capture videos of the entire inking and painting process, and I'm going to post them in the next segment of this painting process. Be sure to leave a comment if you're interested -- the more I hear from you, the sooner I'll get those videos posted!

    Source URL: https://aminefairy.blogspot.com/search/label/Painting%20Process
    Visit Anime Fairy Blog for Daily Updated Hairstyles Collection

Making of a SpongeBob Cover Part 2 -- Step-by-Step from Sketch to Print

    SpongeBob Nick Mag Bubble cover published 800

    The whole Nick Mag cover process
    (just like everything else in life)
    starts with an idea.

    For this SpongeBob cover, the idea was pretty loose -- just some gag featuring SpongeBob and Patrick blowing bubblegum bubbles.

    So, how do I come up with a gag when I have just the beginning of an idea? I just start sketching. Even if I don't have a clue where I'm going, I know that if I put the pencil on the paper, something's going to come out. Even if the first few ideas are totally crappy, that pile of rejects will start to point me in the right direction.


    Drawing a cover gag is sort of like drawing a single-panel gag cartoon with handcuffs on.

    You can't use a caption or dialogue, and you have to fit everything within the magazine's template, leaving room for logos and headlines.
    SBgum08
    So even if you have a good idea, it still may not work ...unless you can make it read from a distance.



    Those magazine racks are pretty crowded, and if the drawing is too complicated, it just turns into mush.

    SpongeBob_Patrick_trapped_Bubble_Gum_sketch
    I liked this idea of SpongeBob, trapping Patrick inside of a bubblegum bubble,
    but the size relationships were too far off to make this work.


    I thought something with Gary might be nice

    -- there are a lot of Gary the snail fans -

    - but the Gary bubble wasn't looking like gum anymore.
    SpongeBob_Gary_Bubble_rough

    SpongeBob_Jellyfish_Patrick_Bubble_Gum_ideas_small

    I've done a lot of drawings were SpongeBob is blowing soap bubbles, and I didn't want this drawing to look too much like one of those. That's the same reason, I tossed out the ideas where SpongeBob is blowing a square bubble or a Patrick-shaped bubble.

    SpongeBob_Patrick_Bubble_Gum_ideas_smaill

    SpongeBob_Cover_Bubble_Gum_Rough_out SpongeBob_NickMag_Bubble_Gum_Rough_no

    I came up with the final idea by using a technique that has helped me many times in the past -- if I start to think vertically, a fresh idea will frequently pop up. By "vertically," I mean, getting the characters off of the same level. I tend to start out any scene by having all the characters standing on the same piece of ground, but this default position often leads to boring compositions.

    On the SpongeBob TV show, we sometimes got a lot of humor out of having one of the characters enter a scene sideways or downward from above.

    By moving the characters around vertically, I was also able to take a damage of the vertical aspect ratio of the cover itself.
    SpongeBob_NickMag_Bubble_Gum_Rough_comp
    SpongeBob_Patrick_Bubble_Gum_Pencils

    Even though
    I only liked
    one of the ideas,
    I submitted four different sketches.

    I was really hoping that they'd pick the one that I liked... and fortunately,
    they did.


    Sometimes I get a lot of notes suggesting changes or tweaks, but this one just sailed through. I think it's because the idea was so simple. I'm a big fan of simple.

    After the approval, I went straight in to pencil cleanup. This kind of "no background" medium shot is a freelancer's dream come true. All I had to do was clean up a couple of characters that I've already drawn about 10,000 times.


    I had to shift things around a little bit to account for things like the barcode placement and the address stamp that they use on subscription copies.

    That's where Photoshop layers come in handy.


    SpongeBob Nick Mag Bubble cover rough pencil

    All of my pencil drawings are drawn by hand, but manipulated in Photoshop.

    The next phase is where the excitement really begins... inking in Adobe Illustrator. I have full-motion screen capture videos of the entire inking and painting process, and I'm going to post them in the next segment of this painting process. Be sure to leave a comment if you're interested -- the more I hear from you, the sooner I'll get those videos posted!

    Source URL: https://aminefairy.blogspot.com/search/label/Painting%20Process
    Visit Anime Fairy Blog for Daily Updated Hairstyles Collection